The Pera Museum organizes a variety of events, including artist talks, concerts, and exhibitions. For instance, it has organized an artist talk titled Tiles and Stories featuring works by Burçak Bingöl and architect/researcher Gertrud Olsson. The museum also hosts concerts, such as the Together concert series featuring powerful female voices from the contemporary music scene. Additionally, the museum organizes exhibitions, such as the Future Memories exhibition.
The Pera Museum explores a variety of themes in its exhibitions, often focusing on cultural heritage in the context of ceramics, traditions, and identity. For example, the Future Memories exhibition takes a future-oriented approach to the archive, drawing from the Suna and İnan Kıraç Foundation Kütahya Tiles and Ceramics Collection. The museum also explores themes of love, memory, and remembrance, as inspired by Orhan Pamuk's best-selling novel The Museum of Innocence.
The Pera Museum houses various collections, including the Suna and İnan Kıraç Foundation Kütahya Tiles and Ceramics Collection. This collection showcases ceramics, which have traditionally been used for functional or decorative objects but have recently become a material of focus for contemporary artists. The museum also draws inspiration from various works of literature and art for its exhibitions and events.
Yes, the Pera Museum often collaborates with other entities for its events. For instance, it has collaborated with Meditopia to offer a unique digital experience inspired by a panoramic work in the Intersecting Worlds: Ambassadors and Painters exhibition. The museum also collaborates with various artists, researchers, and musicians for its artist talks, exhibitions, and concerts.
The Pera Museum produces various publications to accompany its exhibitions. These publications often include comprehensive texts written by curators, as well as articles that shed light on the origins of the works featured in the exhibitions. For example, the publication accompanying the Future Memories exhibition includes a text by curator Ulya Soley and Glenn Adamson's text titled Ceramics in the Land of Tomorrow.